Dolphin Tale or prosthetic fluke
Annie Makoff
They promised it was the movie to change lives. They promised it was so
inspiring that you’d leave the cinema a totally different person, and if
you were disabled – even better, you’d suddenly accept your disability
because hey, if a dolphin can do it, so can you.
It should have been an inspiring, sweet film. It’s a true story, but
sadly, the filmmakers decided to inject the Hollywood factor into it,
because, as David Yates, Director of Clearwater Marine Aquarium and
Executive Producer of Dolphin Tale pointed out: “We didn’t want it to be
a documentary.” Maybe that’s where they went wrong.
In reality, Winter, the bottlenose dolphin and star of the show, was
found by a conscientious fisherman in the winter of 2005 with her tail
mangled in a crab trap. She was taken to Clearwater Marine Aquarium
where they were forced to amputate her tail and remove two vertebrae as a
result of her injuries.
Given practically no chance of survival, Winter adapted by swimming side
to side, instead of the normal up and down movements which dolphins
perform. Realising that this awkward swimming pattern would result in
severe spinal problems later on, the team at the Aquarium did the
impossible: they commissioned a human prosthetics company to make an
artificial tail for Winter so she could learn to swim like a normal
dolphin again.
Not only did Winter adapt miraculously well to her artificial tail which
she wears for one hour at a time, several times a day, (she’s had
between 40-50 tails made for her since 2005 at the vast expense of the
prosthetics company), but her so-called “out-going personality” has been
an inspiration to millions of people throughout the world.
Because she wasn’t cowering in a corner, ashamed of her tail (we all
know how self-conscious animals are about difference, right?), David
Yates believes that her happy-happy dolphin attitude has inspired people
the world over.
“There is no question that Winter has helped thousands of disabled
people, we see it happen every single day,” he insisted. “One deaf kid
started wearing her hearing aid after meeting Winter, despite refusing
to wear it for years, and injured soldiers who have met her have had a
totally different outlook afterwards. Winter changes lives.”
So for all this life-changing talk, it was rather a letdown that Dolphin Tale didn’t really follow real-life events.
The film focuses on a miserable little blighter, Sawyer Nelson,
(apparently a metaphor for every lonely kid out there) played by Nathan
Gamble, who first discovers Winter caught in a crab trap. Following her
rescue, he visits her at the aquarium everyday and the two very quickly
strike up a sickening bond. His mother, who has all but given up hope
for her socially isolated son is surprised.
His teachers are surprised. Staff at the centre are surprised. Everyone, it seems, is surprised in fact, apart from me.
And to add insult to crab-trap injury, the big star appears in
relatively few scenes. The focus, rather than being on Winter, is on
Sawyer. This inevitably makes for a mind-numbingly slow pace, which some
reviewers have described as “meaningless filler”, which I am inclined
to agree with.
Nothing much happens for at least an hour into the film when the
prosthetist who is to make Winter’s first tail (played by Morgan
Freeman) finally appears, and even then, the film never really achieves a
crescendo.
A family movie featuring children and animals was always going to be
cheesy, but this took cheese to entirely new levels. This was grated,
melted and grated again. Every scene had emotive music to alert the
viewer to what mood they should be experiencing and there was a
repetitive “joke” played out throughout the film involving an
intimidating pelican, which probably sounds funnier than it was.
Yet David and his chums remain convinced that their film is going to do more for people than months of therapy ever could.
“I know exactly what the movie can do for people,” he said. “I don’t
even have to guess. I’ve already seen it happen – it changes lives.”
• Dolphin Tale; Warner Bros; running time 113 mins; DVD and Blu-ray available.


